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Los Angeles architect Paul (Cameron Mitchell) arrives in the small town of Chlorine, Ariz., at the same time as a motorcycle gang led by his high school acquaintance, J.J. Weston (Bruce Dern). Paul wants to talk marriage with his unwilling pregnant girlfriend, Karen (Diane Ladd), but the gang captures them on their way to the beach. Feeling bad for his old friend, J.J. arranges a drag race competition for the bikers to win Karen as a prize, giving Paul time to escape and return with help.
An unconventional, off-the-rails cop is transferred back to his old Miami precinct to prevent a gang war. He is forced to juggle his cop duties with the pressures of dealing with his troubled family life and a straight-laced DA.
A terminally ill man gets his buddy to bust him out of the hospital. But, in the process, the duo antagonizes a city policeman, who trails them to the boonies surrounding their hometown. The local sheriff and their lady friend (who think more kindly of the pair) strive to find the fugitives before the less-compassionate posse, which includes a deranged, rifle-toting foe of the two.
A young couple meets in a small town in northern Nevada. They fall in love despite their humble shelter and their lowly jobs working in a casino and bar. It soon becomes problematic for the couple when their spotted past come to haunt them and they are forced to make an escape to the wilds of the desert.
When a farmer's wife is brutally murdered by the ruthless bandit Bobby Durango and his gang of killers, Billy Rogers goes back to his old gun and starts to hunt them one by one. This is a Grindhouse style Spaghetti Western shot and made to look like the classic European Westerns of the 1960s and 1970s - true to the form of how they were filmed in the late 1960s.